Current Exhibitions

13 Jun 2026       All Summer Long, Auxier Kline  


Recent Exhibitions

27 Mar 2026       How Nice To Not Rush (Solo), Auxier Kline  
20 Nov 2025       World Series 2025, Curated by False Cast Gallery
02 Oct 2025        Navel Gazing, New York Studio School
24 Sep 2025         Autumn Equinox, Auxier Kline/Hallspace
06 Jun 2025         Hot Spell, Auxier Kline
15 Nov 2024        Floral Arrangements, Auxier Kline 
11 Oct 2024         Maybe, Let’s Just Be Friends (Solo), Auxier Kline     
8 May 2024         Eastern Standard, Armature Projects
22 Feb 2024         leftovers, island83
12 Feb 2024         Blurr, Temple Gallery
05 Jan 2024         Queer Naturalism, Auxier Kline

_{Install for “How Nice To Not Rush” (Solo) at Auxier Kline}

27 Mar – 30 Apr, 2026 







︎ Reviewed by Art Writer Liam Otero:

“Brooklyn-based artist Tin Nguyen’s landscape paintings live by the phrases “stop and smell the roses” and “go touch grass”, for his images are a visual panacea to the noise of too much technology. However, Nguyen’s paintings are not conventional landscapes that assume a panoramic view of a grand scene that is captured from a distance - complete with a defined foreground, middle ground, and background. Alternatively, he situates the viewer within nature at its most intimate, where every scene is a first-person perspective that brings one up-close and personal to the flowers, grasses, trees, and all that not only satisfies one’s visual sensations, but also activates associations of touch and smell.

Even when the suggestion of a viewer’s presence is not so overtly defined, Nguyen makes up for this based on the subjective vantage points he selects within his canvases. The low-lying angles seen in the paintings moss-trunk, wet, I know (2026) and A Slower Kind of Walk (2026) imply a crouched position where the viewer is getting a much more focused glimpse at the smaller details of the wilderness that may easily be overlooked when caught up with the grandeur of a woodland setting; the former being the blankets of moss that provide a softness to the durability of a tree’s sturdy bark while the latter image centralizes our gaze on the micro-terrain of exposed tree roots, fallen branches, and patches of moss from a bottom-up look at a forested hillside....”

Read full review 

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_{Install for “Maybe, Let’s Just Be Friends” (Solo) at Auxier Kline}

11 Oct – 8 Nov, 2024